
    
    Jen has had a camera in her hand since she was old enough to 
    grip one. Learning on the hand-me-down 35mm classics from her father and grandfather, 
    Jen refined her technical skills in the world renowned School of Photography 
    at Daytona State College before getting her BA in Digital Arts and Fine Arts 
    at Stetson University.
    
    Her heart lies in music photography -- photographing anything and everything 
    that strikes her as captivating, from mainstream arena shows and major music 
    festivals to local bands at dive bars. For her, it's not about the size of 
    the band or the scope of their fame, but about capturing the poetry of the 
    live music experience. 
    
    Currently working as a Photographer for Orlando Weekly, as well as the Events 
    Editor for INK 19, her work has been featured in various publications including 
    RollingStone.com, The Washington Post, Noisey.com, Pitchfork.com, Paste Magazine, 
    TheFader.com, Paper Magazine, FM.tv, Revolver Magazine, Guitar World Magazine, 
    Maximumrocknroll, New Noise Magazine, Alternative Press, AMP, Hails & 
    Horns, Loud Fast Rules, artNIK books, and various online publications. 
    Her photos have also been used as artwork by Hard Rock Cafe, International 
    for their various properties.
    
    In addition to photography, the written word is Jen's other 
    passion. As a contributing writer to both Orlando Weekly and INK 19, she pens 
    Artist interviews, Concert Reviews, Music Reviews, and previews to help promote 
    upcoming gigs. Check out some of her most recent work here:
    
    https://www.orlandoweekly.com/orlando/ArticleArchives?author=2498624 
    
    
    Jen calls Orlando, FL home, but has been known to travel if a gig catches 
    her eye. 
    Email with gig invites, job opps, or movie recommendations.
    
    jen@jencray.com
    
    Follow Jen and watch as a 90's girl tries to navigate the weird 
    world of social media.  
© Please do not use any photos without the expressed permission of Jen Cray